Author: Wayne Aurthur

In the early 1920s, an American man and a girl, probably nineteen or twenty years old, are waiting at a Spanish railway station for the express train that will take them to Madrid. They drink beer as well as two licorice-tasting anis drinks, and finally more beer, sitting in the hot shade and discussing what the American man says will be “a simple operation” for the girl.

The tension between the two is almost as sizzling as the heat of the Spanish sun. The man, while urging the girl to have the operation, says again and again that he really doesn’t want her to do it if she really doesn’t want to. However, he clearly is insisting that she do so. The girl is trying to be brave and nonchalant but is clearly frightened of committing herself to having the operation. She tosses out a conversational, fanciful figure of speech—noting that the hills beyond the train station “look like white elephants”—hoping that the figure of speech will please the man, but he resents her ploy. He insists on talking even more about the operation and the fact that, according to what he’s heard, it’s “natural” and “not really an operation at all.”

Finally, the express train arrives and the two prepare to board. The girl tells the man that she’s “fine.” She’s lying, acquiescing to what he wants, hoping to quiet him. Nothing has been solved. The tension remains, coiled and tight, as they prepare to leave for Madrid. The girl is hurt by the man’s fraudulent, patronizing empathy, and she is also deeply apprehensive about the operation that she will undergo in Madrid.

Author: Drew Hart

Emotionally wounded and disillusioned by World War I, Nick Adams returns to his home and leaves for the north Michigan woods on a camping trip. He leaves by himself, hoping that the routine of selecting a good place to camp, setting up a tent, fixing meals, and preparing for fishing will restore peace and a sense of balance to his traumatized soul.

On the way to the woods, Nick passes the ruined, gutted, burned-to-the-ground town of Seney. The first half of this solitary sojourn focuses on passing through Seney and setting up camp, which comprises Part I.

Hemingway recounts in precise detail Nick’s rituals of preparation for fishing before he wades into the river. He successfully catches two trout and begins to gather sufficient courage so that in the days ahead, he can easily fish across the river, in the dark swamp, a symbol of Nick’s fears and uncertainties. Clearly, Nick’s recovery from the trauma of war has already begun, and readers finish this story with a sense of hope.

Author: Alexander Adams

It is noon. Francis Macomber is on an African safari; Macomber is thirty-five years old, a trim, fit man who holds a number of big-game fishing records. However, at the moment, he has just demonstrated that he is a coward. However, members of the safari are acting as though “nothing had happened.” The natives at camp carried Macomber into camp triumphantly, but the gun-bearers who witnessed Macomber’s cowardice do not participate in the celebration.

In a flashback, the reader realizes that Macomber and his beautiful wife, Margot, are wealthy Americans, and that this jaunt is their first safari—and that Macomber, when faced with his first lion, bolted and fled, earning the contempt of his wife. Of course, though, she has been contemptuous of him for some time; Francis’ running from the lion like a scared rabbit has only increased her dislike for her unmanly husband. She makes no secret of this as she slips off in the middle of the night for a rendezvous with the safari guide, Robert Wilson.

Next day, as she observes Francis gaining a measure of courage as he engages in a standoff with a charging water buffalo, she realizes that if Francis continues to prove himself strong and willful and courageous, he might leave her and rid himself forever of her sharp-tongued ridicule.

As the standoff with the second water buffalo becomes more intense as the water buffalo’s horns inch closer and closer to goring Francis, Margot takes aim at the water buffalo, shooting Francis in the back of the head, and he dies at the most courageous moment of his “short happy life.”

Author: Ernest

Harry, a writer, and his wife, Helen, are stranded while on safari in Africa. A bearing burned out on their truck, and Harry is talking about the gangrene that has infected his leg when he did not apply iodine after he scratched it. As they wait for a rescue plane from Nairobi that he knows won’t arrive on time, Harry spends his time drinking and insulting Helen. Harry reviews his life, realizing that he wasted his talent through procrastination and luxury from a marriage to a wealthy woman that he doesn’t love.

In a series of flashbacks, Harry recalls the mountains of Bulgaria and Constantinople, as well as the suddenly hollow, sick feeling of being alone in Paris. Later, there were Turks, and an American poet talking nonsense about the Dada movement, and headaches and quarrels, and watching people whom he would later write about. Uneasily, he recalls a boy who’d been frozen, his body half-eaten by dogs, and a wounded officer so entangled in a wire fence that his bowels spilled over it.

As Harry lies on his cot, he is aware that vultures are walking around his makeshift camp, and a hyena lurks in the shadows. Knowing that he will die before he wakes, Harry goes to sleep and dreams that the rescue plane is taking him to a snow covered summit of Kilimanjaro, the highest mountain in Africa. Its Western summit is called the Masai “Ngàje Ngài,” the House of God, where he sees the legendary leopard.

Helen wakes, and taking a flashlight, walks toward Harry’s cot. Seeing that his leg is dangling alongside the cot and that the dressings are pulled down, she calls his name repeatedly. She listens for his breathing and can hear nothing. Outside the tent, the hyena whines—a cry that is strangely human.

One winter evening, around dusk, while he is sitting at the end of a counter and talking to George, the manager of a diner in Summit, Illinois, a small town south of Chicago, Nick Adams watches two over-dressed strangers in black (Al and Max) enter the diner. After complaining about the serving schedule, the two men order dinner, joking sarcastically about George and Nick being a couple of dumb country boys.

Finishing his meal, Al orders Nick and Sam, the Black cook, to the kitchen, where he ties them up. Meanwhile, Max boasts to George that he and Al have been hired to kill Ole Andreson, an aging boxer, who, they’ve heard, eats dinner there every night.

When the boxer fails to show up in the diner, Al and Max leave, and George hurries to untie Nick and Sam. He then suggests that Nick warn Andreson, who lives in a nearby boarding house.

When the boxer hears about Al and Max’s plan to kill him, he’s unconcerned; he’s tired, he says, of running. Nick leaves and returns to the diner, where he tells George and Sam that he’s leaving Summit because he can’t bear to think about a man waiting, passively, to be killed by a couple of hired killers.